To celebrate 20 years of their nation’s independent existence in 2013, ten Slovak film makers were asked to explore this question: “How to explain the notion of Slovakia to visitors from another planet?” And Slovensko 2:0 is the result: ten short films capturing the essence of Slovakia today.
These shorts make for often tragicomic or even bleak viewing at times as the frustration of ten directors who are impatient with how slowly Slovakia is adapting to being a country people can have faith in soon comes through.
They are accompanied by a booklet of ten interviews with the directors themselves, where the negative outlook on Slovakia’s post-Communist transformation is emphasised. But within that negativity, the films themselves are profound. Gone are the happy trappings of Slovakia’s mountains, medieval villages and forests as the foreign visitor normally beholds the country. Instead, these films are a harrowing look into political corruption, the attitudes and mentalities of Slovaks in different walks of life – from an aspiring club owner to a just-made redundant factory worker – and (the overall message, perhaps) some of the things Slovakia could in fact do to help change itself for the better. But they sure as Hell dispense with the cliches and get straight to the nitty-gritty.
The picture above is from my favourite of the ten – an animated account of Slovakia’s history, through Communism, the Velvet Revolution and the transition to democracy. Rules of the Game, the film’s title, is one worker’s view of the political bandwagon (which stays the same throughout, only with changing faces in the upper echelons) moving through the pivotal years of 1989 to 1993 and beyond into a democratic republic still riddled with corruption. There are hilarious moments when you see the sycophantic robotniky (workers) and later when you see the figures at the top of the machine wearing gorilla masks (a reference to the scandal that rocked Slovak politics during the 2000s when Slovak politicians, multinational representatives and representatives of Penta group allegedly met in a house on Vazovova Street in Bratislava to discuss financial incentives in return for land procurement, see the Economist’s report on the Gorilla Scandal for more).
But despite being one of the subtler films in this collection it urges most effectively the debate on what needs to alter at the top levels of Slovak politics for the bandwagon to change its current course.
For anyone who wants a fresh, healthy look at Slovakia stripped of its official state outlook, this series of films is essential viewing. “The genetic makeup of Slovakia”, as the blurb on the back of the DVD says.
BUY IT: At Art Forum in Bratislava.