As you journey east from the High Tatras, the next stop on the classic traveller’s route (before Bardejov and then Košice) is Levoča, one of Slovakia’s most striking medieval towns, with its historic centre a Unesco World Heritage Site. For this article, the founder of what is now one of the town’s foremost annual events, David Conway, explains exactly what inspired him to set up the Indian Summer Festival
It was in 1973 that I first laid eyes on Levoča, where my father-in-law Laci had taken me. My wife Nadia, at the time classified by the Czechs as a criminal illegal emigrant (having remained in London after the 1968 Russian invasion), was unable to be with us. What I experienced was an incredible sleeping beauty; an exquisite late-Gothic renaissance town almost perfectly preserved, seemingly untouched for centuries under a magic spell which had left it in shadow, despite its showcase architecture and setting within an exquisite Slovak landscape.
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When I next visited Levoča (now with Nadia) in the 1990s, it was already picking itself up after Communism and beginning to restore and celebrate its unique heritage. The idea of taking part somehow took root and in 2003 we purchased and began to restore one of the town’s many merchant’s houses, with vast cellars dating to the 12th century, a vaulted hallway and staircase of the 16th century, and numerous wonderful features of carving and woodwork.
With our house renovated, Nadia began thinking about how we could attract others to this forgotten pearl of Central Europe. And the idea of a music festival arose. With the cooperation of the town, which has enabled us to utilise the magnificent 18th-century theatre and congress hall amongst other venues, we contacted our musician friends, or just barefacedly invited musicians we admired, buttonholing them after their concerts in London, Prague and elsewhere.
Amazingly, these brazen tactics worked, and thus ‘Indian Summer in Levoča’ (in Slovak ‘Levočské babie leto’) was born. Run on a not-for-profit basis through an NGO set up with our local friends, and with support from grants, patrons and visiting audiences to maintain standards and reputation, over the years we have had wonderful performances from artists including the Stamic and Zemlinsky quartets, the Vienna Piano Trio, the European Union Baroque Orchestra, Julian Lloyd Webber and many others. Amongst our ‘regulars’ – who have become local heroes to the townsfolk – are the charismatic Slovak cellist Jozef Lupták and the virtuoso British pianist, Jonathan Powell.
At first I think the local people thought we were mad. But gradually they have come – first out of curiosity, and now out of devotion – to hear incredible music. A key aspect is that there is no prejudice on the part of the local audience; they respond according to the commitment of the performer, whether he or she is playing Schubert, Shostakovich, Brahms or Beethoven. And gradually we have attracted visitors from all over Europe and even America and Australia. The Gramophone magazine has called our festival ‘Europe’s best-kept secret’ – but now the word has begun to spread.
One of our chief delights has been programming the concerts – so as to ensure that we can introduce music we think people ought to hear, as well as the established concert classics. So you won’t just hear the great classics, but also, for example, in our 2016 festival, Xenakis, Sterndale Bennett, Dohnanyi, Busoni and other exciting-but-neglected music.
Of course we have not been without our crises – but here perhaps is not the place to discourse on the grand piano which was dropped by the removers, the pianist who had her passport lost in the Hungarian embassy in Washington three days before her concert with us, or the heroic efforts of the Levoča dustmen in getting yet another piano up several flights of stairs when the deliverers had forgotten their equipment…..
In 2016, our ninth year, we welcomed the Kodaly Quartet of Budapest, the young Israeli violist Avishai Chaimedes playing Mozart string quintets, Mark Viner, performing works by the astonishing virtuoso Charles-Valentin Alkan and Alkan’s friend Franz Liszt, and Jonathan Powell playing Mussorgsky’s original piano version of the monumental ‘Pictures from an Exhibition’. Danish tenor Jakob Vad and pianist Eisabeth Nielsen brought us music form England and Denmark, and we heard medieval Slovak choral music and works from Mendelssohn, Mozart and Boccherini to Bartók, Arensky and Prokofiev. The Festival closed with a performance of Schubert’s great B flat Piano Trio.
The Levoča Indian Summer Festival is informal, it’s fun, and it provides a great opportunity to visit one of Slovakia’s finest old towns after the summer tourist crowds have left but whilst the weather remains warm. You will hear great music and meet wonderful musicians, due to the festival’s intimate nature. That’s a key difference here: with other larger festivals, you can be so far away from the performers it almost feels like you’re watching them on a screen. Not here! So so come and join us for our festival in September 2017, which will be extra special because it will be a landmark tenth anniversary for us: and will hopefully attract many more unmissable performers to this relatively unknown pocket of Eastern Slovakia.
MAP LINK: (showing the main town theatre venue)
FESTIVAL WEBSITE: (2017 line-ups not yet available)
COST OF TICKETS:
NEXT ON THE JOURNEY: From Levoča, it’s 63km north to Stará Ľubovňa, home of Slovakia’s only whiskey distillery